Computers and artificial intelligence have come along at an exponential rate over the past few decades, from being regarded as oversized adding machines to the point where they have played integral roles in some legitimately creative endeavours.
Virtual reality isn’t just for gamers. The emergence of inexpensive VR headsets such as Oculus Rift has created an opportunity for marketers to build an interactive 3D brand experience that truly engages the consumer’s senses.
“Virtual reality will be an explosive, guerrilla-style opportunity for anyone who is a marketing visionary,” claims Brian Shuster, co-founder of the online virtual world, Utherverse. The Internet marketing pioneer is credited with introducing banner and pop-under ads.
“Real-time, immersive interactivity has the potential to revolutionise many industries that were hardly touched by the flat Web such as real estate, convention and classroom education; and will also re-revolutionise industries such as shopping and entertainment.”
Because it’s new, virtual reality can help a brand stand out from the crowd and make a bigger impact on potential customers. IDC analyst, Sandra Ng, predicts more marketers will explore the technology in the year ahead.
“Creative agencies and marketers are trying to figure out how to do things differently and how to be more interesting and fun,” she says. “You have to wow the customer… That’s what a new technology like virtual reality will do.”
While there is hesitation among brands to put money into virtual reality campaigns, associate executive producer of creative agency Whybin/TBWA, Sean Gardner, believes this will change in the near future. Earlier this year, the agency delivered its first VR campaign for NRMA Insurance showing the effects of a car crash.
“It’s similar to when we were trying to sell mobile apps five years ago,” he comments.
It is unlikely the average household will adopt VR headsets until they are more affordable and a large amount of content is available. However, marketers and analysts see potential in bringing the technology to the non-gaming public through kiosks at public venues including shopping malls, festivals and expositions. They even suggest we could see dedicated virtual reality shops in the style of Internet cafés.
“You’re probably not going to get silver surfers buying these things, but that doesn’t mean they couldn’t be engaged by a marketing or advertising campaign,” says Ovum analyst, Paul Jackson.
Gartner analyst, Brian Blau, agrees. “It’s novel enough that people will want to try it.”
Touring virtual landscapes
Tourism Australia is eyeing virtual reality as a way to inspire tourists to visit Australia, as well as a possible tool to train travel agents around the world, according to the government agency’s CIO, David Rumsey.
Rumsey ordered a couple of Oculus Rift development kits in early 2014. The first step is learning from the Oculus development community, he says. “The thing that was of interest to us was really around this idea of experience,” he says.
For example, Oculus Rift could be used to virtually show tourists what it’s like to climb the Sydney Harbour Bridge. “That first time you put it on, and all of a sudden you’re in the context of that experience – it’s a pretty amazing feeling,” Rumsey says.
Tourism Australia will likely start by setting up VR stations at trade shows. The agency could also strategically select travel agents to experience virtual reality so that they can better sell Australia to potential visitors, Rumsey says.
Virtual reality also lends itself well to test-driving cars or showing an apartment, says Jackson. “Anything where you can deliver a remote, immersive experience of your product that you want people to buy will be interesting,” he says.
The team at REA Group is experimenting with virtual reality. “We have been looking at what could happen in the property market if you didn’t have to walk through it,” its CIO, Nigel Dalton, says. “We have done our first experiments scanning apartments and we are very excited.”
A recent marketing example using Oculus Rift was undertaken by Paramount Pictures in partnership with IMAX to launch its new film, Interstellar. The immersive experience gave US and Canadian consumers a virtual first look at the film’s Endurance spacecraft and the ability to travel through zero gravity at select cinemas with IMAX screens.
Rohit Dadwal, Mobile Marketing Association (MMA) managing director for APAC, also highlights examples of branded virtual reality experiences including a simulation of a high-speed train in Japan, a virtual roller coaster ride by amusement park brand, Six Flags, and a replica locker room at the FIFA World Cup sponsored by Coca-Cola.
In the future, he expects virtual reality could be used to show consumers anything from real estate to a new refrigerator. He also sees partnership opportunities for brands that want to appear in the simulations. For example, the virtual refrigerator could be stocked with digital Coca-Cola bottles.
In this respect, virtual reality could hold a similar opportunity to in-game advertising, Dadwal says.
“Virtual spaces and games have ample opportunity to replace billboards and banners, and I envision new interactive kinds of ads, like virtual kiosks and terminals – perhaps staffed with live but virtual people – will proliferate as the numbers begin to justify the ad placements,” adds Shuster.
“Standard, real-world marketing techniques will also be available in VR environments. Techniques such as venue sponsorships will allow brands to get their name out as progressive technology supporters, and it will provide virtual venues with a ready income.”
Similarly, because the virtual reality Web is an Internet layer, venues will want to buy traffic, Shuster says. “Web-style clicks will merge with real-world ‘foot-traffic’ to create a virtual foot-traffic marketplace where companies can sell ‘street-front’ doors and portals to send users to a paying destination,” he claims.
A virtual world could itself be a store. Ng for one, envisions an interactive purchasing experience where the shopper grabs a product off a virtual shelf and puts it in a virtual bag.
Another component is user-generated content, and Dadwal says marketers will also need to target VR content developed by consumers. If marketers can get consumers to create experiences that include their brand, this endorsement could be more influential than an experience created by the brand itself.
“User-generated content could be the main driver of the usage of this device, and that’s something we need to be aware of,” he continues. “Brands should start to look at how they can become an integral part of content being generated, because the quantum of content coming from users will far exceed the content generated by media companies.”
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